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Select "Camera settings/Remote shooting" on the main window.

Note: for the EOS 5D Mark II you may need to set "Communication" to "PC connect" in the camera's menu.

Connect your camera to your computer using the appropriate USB cable.

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Download the Technicolor CineStyle™ Profile on this page.

Ensure that EOS Utility v2.6 or later is installed on your computer.

How do I load CineStyle Profile to my Canon camera?

COMO INSTALAR MAGIC LANTERN CANON 60D MAC OS X

PC – Windows 7/Vista/XP or Mac – Mac OS X 10.5/10.6+.

What are requirements to use the CineStyle Profile? What are the recommended Canon EOS-5D Mark II camera settings to obtain optimal image quality? Can it be used for all Canon EOS cameras?Īlthough the Technicolor CineStyle Profile was designed and optimized for the Canon EOS-5D Mark II camera, the Technicolor CineStyle can be installed and used on any current Canon EOS DSLR camera. In layman’s terms, though the image will appear flat and de-saturated, there is actually more detail retained in the shadows and mid-tones which is excellent for color grading. When the Technicolor CineStyle Profile is selected in the camera, video images are recorded in log space. What does CineStyle Profile do to the image? This allows for greater artistic freedom during the color grading process in post-production. The Technicolor CineStyle Profile provides better dynamic range of the captured content. How does CineStyle Profile help the cinematographer? Technicolor is responding to industry demand from cinematographers for enhanced flexibility in capturing images from digital cameras. The CineStyle Profile was created by Technicolor color scientists and engineers.

* Dont forget to set Project workspace to 16bit in AE.Frequently Asked Questions Who developed CineStyle Profile? mov codec or custom Prores (or whatever format you like!)Ĥ/ Bring the rendered output file into an NLE for further editing. Ok the first file and repeat the above sequene for the next clip/folder of DNGs you would like to import.Ģ/ Select a clip in the AE Projet youve imported and 'interpret' the footage as whatever frame rate it was recorded as and save setting using 'remember interpret' so that you can quickly 'apply interpretation' to all your other clips too.ģ/ make a composition file and change the file duration roughly calculated to the total length of all your clips youve imported (you can always extend/reduce by editing the composition later), then select all the clips and drop them into the composition - space them out - and render the composition sequence (eg COMP 1) out to lossless.

With this dialog still open select the first DNG in the sequence ((eg 000000.dng) and 'OK' into Adobe After Effects, the RAW window now appears (here change exposure, colour, highlights, shadows, etc.). In Adobe After Effects select File/Import/Multiple File' Import in AE which will insert each RAW set of DNGs into your AE Project - don't forget to checkbox Force Alphabetical Order in the import dialog. Take these files and import into Adobe Effects as in my quick and dirty approach:ġ.

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Set RAW-enable to ON and choose framesize (1728 x 9 scale).ĭownload and install for Win users: BATCHelor_1.2_by_FATPIGtures GUI ( /software/) or on Mac use the OSX raw2dng GUI app for splitting the RAW file into DNG images. Initialise the RAW record mode after running the module off the M tab in Magic Lantern. Well done to A1ex and the ML team for their hard work.ĭownload & install ML onto SD card, Download marekk's latest 60D stuff (-with LV_AF_RAW) and overwrite ML stuff where specified. Still a few teething issues (any frame drops you see here are where there has been a frame of corruption). What you see here is a h264 conversion from the RAW file in AE. 14bit RAW is working fine - albeit not so many seconds at high resolution. This is 14 bit RAW video from the Canon 60D live view.

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Ungraded vignettes of people and skin tones - the only thing Ive touched is the exposure slider here and there :-).